drugs, intoxication season, Kew gardens

Can Mind-altering plants be both medicines and intoxicants?

 

 

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September 20th – October 12th sees the arrival of Kew Gardens’ Intoxication Season at the Royal Botanic Garden, it comes at a time where I personally am reviewing my knowledge and approach to all plant based drugs. Clearly I was easily led to the enigma of a regulated experimentation and enticed by the controversy that was surrounding this event. Ticket in hand I approached the Elizabeth gate with much anticipation and scrutiny. This weekend’s drug of choice (11th October) was the Magic Mushroom otherwise known as Fungi. Kew holds several hundred specimines of hallucinogenic fungi such as the red and white fly Agaric toadstool which make the popular seats for fairies in childrens books, however the fungi containing certain psychoactive chemicals that would be considered as scheduled drugs are kept off site under lock and key. Already I am doubting the experience. It is thought that there could be up to 5 million species of Fungi in the world, but what is the importance of Fungi? Fungi are tremendously important to human society and the planet that we live on. They provide fundamental products including foods, medicines, and enzymes important to the industry. They are also the unsung heroes of nearly all terrestrial ecosystems hidden by view but inseparable from the processes that sustain life on the planet.

 

Not all mushrooms can send us tripping off our heads in a fun filled world, some can be very deadly, but how could I find out more about this? – I headed off to a talk held by Kew’s own Professor Monique Simmonds. “Magic Mushrooms: Their chemistry” An overview of the magic powers of mushrooms, it was an informative and concise fact file of all things fungi. For example did you know fungi and Fungi mean different things? The lower case ‘fungi’ is a general word that refers to organisms that all look and act the same, but are not all related. This group is artificial and includes moulds, yeasts, mushrooms, slime moulds, and water moulds. ‘Fungi’ with a capital ‘F’, refers to the evolutionary group that includes most of the best known ‘fungi’: moulds, yeasts, and mushrooms, but not slime moulds or water moulds. Talk over I headed towards Professor Simmonds where she told me that in traditional usage potentially dangerous plants were tightly controlled by a shaman, and surrounded by taboos that helped to limit risky interactions. The commodification of what was once a privileged experience causes harm, also giving me some advice telling me that it is even possible to get a perfectly legal high by combining the right ingredients with baked beans. Really? Maybe she shouldn’t have told me that. Simmonds is a specialist in plant chemistry and is a leading researcher she has often helped police investigate mysterious deaths in which plant intoxicants have played a part. I had discovered how plants’ identities have been manipulated through time. Sometimes as friend, sometimes a foe, when in actuality no plant is inherently a drug, medicine, or poison.

 

Next up the Secluded Glasshouse that held the main attraction, Bompas and Parrs’ Plant Connoisseurs Club an over 18s event. A place where you could actually try a selected ‘plant.’ I willingly decided to become a participant and explore some culturally significant plants that are consumed around the world. Was I about to have my mind expanded by learning about other cultures perspectives on natural born plant intoxicants? I was doubtful. It was an examination of our collective attitude to drugs and contrasting our own socially acceptable substances like tobacco, alcohol, and caffeine (all of which I am very familiar with) – with other less familiar stimulants and sedatives. Apparently I was the adventurous type who was seeking spiritual enlightenment, although I was only about to sample one of four plant products that are widely consumed on a global basis. Betal Nut, Kola Nut, Raw Guarana, and Blue Lotus Tea – all variously attributed certain psychoactive mind altering properties. Toxicologist Dr Nick Edwards says ”Though entertaining this is a serious endeavour that provokes participants to think again about societal attitudes to drugs. I’m hoping that this candid and practical workshop opens the doors of perception on the impact of future use of stimulating, mind-altering and possibly consciousness-enhancing substances and the consequences for individuals and society.” So here we go it was my turn I was handed a disclaimer to sign before being handed a brew of freshly prepared Blue Lotus Tea served on a clinical white tray. The pretty blue flowers of this is a relative of the lily. ‘Nymphaea Caerulea’ are smoked or brewed to produce a mildly sedative and psychoactive effect. It had a flowery potpourri like smell that was quite pleasant so I wasn’t expecting the bitter, vegetabe like taste. I excitedly awaited the outcome like a little schoolgirl.

 

Still waiting for the Blue Lotus hallucinations to kick in I wondered towards the Princess of Wales Conservatory, which was where the plants actually lived. A living display with 10 climate zones of mind-altering plants, exotic trees, Orchids, and carnivorous plants. It was a surreal atmosphere the ‘dangerous’ plants as it were are all in cages almost like a zoo, apparently that was decided by the UK Home Office. They’re right in front of you but you can’t actually get as close as you would like. You can’t tickle the monkey. Apparently visitors to Kew Gardens have risen by up to 20 percent since the exhibition has been launched. I walked through the display zone reading the plaques and taking in the facts learning that many species produced compounds that are used medicinally or recreationally. The Cannabis and Khat plants are safely stored behind lock and key. Cannabis is one of the most famous foliage bandits. It has been used by humans since at least 2700 BC and is the only plant that produces Tetrahydrocannabinol, the active agent that gets you ‘high’. At one talk ‘Intoxicating plants: the highs and lows’, neuropsychopharmacologist at Imperial College London Professor David Nutt told me that despite the cannabis plant’s status as a social pariah, it manufactures over one hundred different chemicals that have potential therapeutic applications in humans. There was the poppy (Papaver Somniferum) displayed in its dried form, which produces both the powerful painkiller morphine but is also used to make heroin. Then there was the Peyote cactus (lophophora Williamsii) that contains the powerful hallucinogen mescaline. Some other plants on display were that of the fabric of everyday life, like coffee that contains the legal high caffeine. None of them looked noteworthy besides a few of the more exotic looking plants, they are your bog standard shrubs. Accompanying me on my journey through the conservatory was a bizarre haunting choir (Reverie) following me around supposedly they were meant to be adding to my experience, I guess I just found it erie. The choir was singing music by Freya Waley-Cohen and text by Caleb Klaces dealing with the journey of a hallucinator and their experience of drugs. Many of the soloists required Reverie’s singers to interact directly and dramatically with unsuspecting audience members who were not aware that a performance was going on in the space until it began. To be honest I found the fish more exciting.

 

An hour had now passed since I sipped the Blue Lotus Tea, all I got was a mildly calming feeling it was hard to characterize this to anything beyond anticipation. Nothing an alcoholic beverage couldn’t better so I moved on to the botanical bar, nutmeg-infused rum, quince syrup and ginger ale were all on the menu. I had to opt for the rum, Nutmeg turns out to contain the psychoactive drug Myristicin. Would this get me high? Probably not, it would take me more than two tablespoons to have any effect and that would just make me sick, like that stupid nutmeg challenge all the kids are doing these days. By this point the rum had took it hold over me as I was happily sitting with the sun setting over the luscious lawns of Kew, was this success at last? It was a trip, of sorts lingering a controversial line. As Kew’s director of public programmes, Gay Coley, acknowledged: “ We are unashamedly using controversy to spark debate.” I’d have to say that the comments book on the way out was most interesting; I’m guessing some people may have got the wrong end of the stick about this event. With some of my favourite comments reading “Not enough drugs, refund please.” And “Cheaper in Brixton.”

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Music

Hollie Donovan Interviews the man behind the Isle of Wight festival

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John Giddings, Isle of Wight festival boss talks about taking over the roll of organizing the festival.

After speaking to John it was evident to me that this mans enthusiasm to making the Isle of Wight festival what it is today was defiantly up there. “Taking over the roll of organizing the festival was actually enjoyable, because I went there in 1970 nobody else in the music business was interested in restarting it, so I thought why not. It really worked out.” Says john

Feeling rising amounts of pressure working in the festival business is not uncommon, and as every year of the festival seems to get better and better John feels that he “doesn’t know” what quite to do next year to make it as good.

With respects to making the festival better John says “I make it up really” but after having huge world famous bands like the Rolling Stones, Paul McCartney and Bruce Springsteen John felt by booking Bon Jovi for this year it would carry on the high status because “I’ve seen them and I know that they can deliver at the highest level, you know they are a fantastic act, and there are not many worldwide acts that can do that to be perfectly honest.”

In June 2012 Bruce Springsteen closed the festival on the Sunday evening, John said excitedly that Springsteen was “incredible, I told him that he had to get off stage by ten to so I could put the fireworks on and he said sod that I’m going to play through them. He said and now my fireworks, they were not his fireworks they were mine.”

People want to know what goes on backstage there’s got to be a best and worst moment in there somewhere. John says surprisingly “The best backstage moment was Dave Grohl from the Foo Fighters getting into my racing car and having his photograph taken, because before that his manager told me that before he came he wouldn’t do any press or PR, and nobody must talk to him. He turned up at ten in the morning and he came into my office and asked if there was anything he could do to help.” John Explaining Dave Grohl as a “jolly good chap” and is definitely more than welcome back at anytime.

“My worst backstage moment was when Muse played, it was Matt Bellamy’s birthday and he stayed in the dressing room until two in the morning, I think they were all probably drinking and I realized that the people carrier I had hired to take them back to the ferry had gone home, so we had to send them in somebody’s car.” John said reluctantly “It was quite amusing, but a bit of a panic.”

Selecting the line up to accommodate for all ages of the audiences is probably one of the most important parts of the festival, after asking John how he goes about doing this he replied in deep thought “I make it up really, the good news is that I’m old so I have lived though lots of musical eras, you know the 60’s, 70’s, 80’s, and 00’s. What I try and do is a combination of good music from past present and future that will appeal to people from 15 to 50. I do not want all jingly jangly guitar bands, or hip-hop bands, or all girl singers. I want a combination and I want people to walk around the site and discover new things.”

Trying to think of the hardest thing about organizing the festival was hard for John to answer, after pausing for a while he then replied with “I honestly don’t know the answer to that, trying to make everybody happy I guess. I mean I spend my whole life trying to improve the site and the organization, and a better experience for the people, it becomes an obsession.”

We all wonder if this man gets a break from planning, booking and setting up the festival John goes on to say how he has a ‘real’ job booking tours for groups around the world like, Rhianna, Sting, Lady Gaga, and U2. “The festival is now so big that it is a year round job and I have to think who, well I already started thinking about headliners for 2014 and made offers to them.”

“When Kanye West came on stage with Jay Z, that was the best moment for me it was extraordinary.”

There was a time last year as the festival started where the traffic caused a few problems on the island, two of the car parks became unusable and “collapsed” John was “determined” not to have the event cancelled “we got away with it by the skin of our teeth.” Also John apologized about the state of the traffic that was caused “I’m sorry about that, I apologize profusely.”

Finally I ask John where he sees the festival in 5 years time he replies, “I don’t want it to get any bigger, I think it’s a mistake to make it any bigger we are not competing with Glastonbury. I want it to be a good experience, I want people to go away having enjoyed themselves and I know people laugh when I say it but I’m not doing it to make money, I’m doing for the crack of entertaining people. And as long as I don’t loose money I will keep doing that.”

The Isle of Wight festival is very friendly compared to others “James Walsh from Starsailor said to me, he really liked it because it wasn’t alienating. He said some festivals are really alienating, and I thought that was quite a good description.”

 

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Music, tech

Paper tickets could soon be a thing of the past; Ticketless gigs are the way to the future

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Some music venues including ‘The O2 Arena‘ and tech company Samsung Galaxy Studio Live are using exciting, new and innovative technology in the form of ticketless gigs or Smart tickets. Smart tickets are said to work through a downloadable app on any current smartphone, which holds “a world of exciting new content at your fingertips.” Smart Ticket uses NFC technology, and a ticketless concept to allow quick and seamless access to the event.

Near Field Communications (NFC technology) is a set of short-range wireless technologies that enable to nearby devices to communicate with each other, like Bluetooth. NFC technology makes it possible to use your phone to read NFC tags and transmit the data directly to your phone. Those tags could be in anything from a product packaging to a ‘smart’ poster. So that means no more rummaging at the bottom of your bag in a panic for your ticket, also no more printing costs, everything you need is kept securely on your phone.

And if the live experience isn’t enough Samsung claims that you also get to re-live the evening on your way home, using the Smart Ticket app you’ll have “exclusive access to 5 tracks from that evenings performance.” “Were delighted to announce our involvement in the first rollout of ticketless technology this country has seen.”

There are three main concepts of the Smart ticket that make up the new overall before, during, and after experience; the first being prior to the event, you can look forward and get ready for your gig with exclusive access to artist information, news and, video feeds. Messages from the artists will be available; also venue and ticket information is stored within the app to keep you well on top of where and when your event is happening to ensure no more rushing around.

Secondly during the event everyone will have free WIFI access in all areas of the venue, which gives you the exciting ability via the app to upload unlimited amounts of photos, videos, and tweets which are then stored and shared on the interactive screens so users can look back and though others to share memories. Competitions are also available as well as user-friendly maps of the venue so you newbies don’t get lost, but probably the most innovative of all the features being the ‘Makelight’ – an awesome new technology that is designed to provide a breathtaking interactive light show that gets everybody involved by feeling part of the show, the technology sync’s all the devices during the artist’s set.

The third and probably most useful part of the Smart Tickets is the cashless option, no more worrying about loosing money or trying to find loose change in your bottomless pockets. Samsung are now partnering with the great company that is PayPal who are offering an innovative new way to pay, using only the NFC device and the users PayPal account. During the event the cashless technology can be used to buy those hungry revelers food, the party animals drinks, and the die-hard fans merchandise.

Samsung are continuing to advertise and bring forward this innovative ticketless method emphasizing its greatness, Samsung say “We are more than delighted to be a part of this great step into the future, by using the advancing technology we are giving the fans a whole new and exciting experience to seeing their favourite band or artist that not only lasts during the performances but before and after.” And as well as all the new features that are involved they vouch that “It is a much smoother, easier, and quicker method with virtually no queues on arrival.”

In terms of all the technology that is used within the phone app, entry and the all new ‘makelight’ function, Samsung has to be sure they can guarantee a faultless experience, to which they replied “As this is a new system with new technology we are working hard on improving and stabilizing the app and the NFC technology, to be certain that no problems or technical errors occur before, during, or after the show to ensure a faultless and secure and enjoyable experience.”

Some of the Bands that have already jumped on the bandwagon and are also using and supporting this method of gig entry and new technology include Biffy Clyro, Laura Mvula, Iron Maiden, and The Red Hot Chili Peppers. Big bands like these obviously have a huge fan base, and of course the fans will embrace and encourage almost anything that they have to offer that will bring them closer to the band.

After talking to fans and regular concert goers from a range of ages and genders between 16 – 25 year olds, 25 – 40 year olds, and 40 – 60+ year olds about their views on the subject, the general consensus was that over 75 percent welcomed the idea of having an overall better experience and also loved the idea of the app having an extra before and after experience, to form better memories when looking back. Fans said, “All the new features are great,” and “I feel so much closer to the band, being able to download the tracks after is a great feature,” as well as “I don’t miss the physical ticket, all this new cool stuff overrides that, it’s great to be rolling with the times.”

The O2 Arena are also supporting ticketless gigs, but mainly they say to stop those sleazy ticket touts who buy tickets in bulk to make a profit for themselves “We fully endorse Live Nation’s policy on Ticketless technology, we advise all customers to only buy through the official ticketing platform AXS.com. As a venue we support any policies that prevent touts from prospering at the expense of our customers.” Says the O2.

The Cardigan Bay Wakestock festival in Wales was the first to go ticketless in 2012, now more and more festivals are using a form of ticketless technology. Some are using RFID wristbands (radio frequency identification) The wristbands look like standard material festival bands but are fitted with a microchip instead. Samsung, again were the first to sponsor this and hosted the first UK ‘ticketless’ festival. But the first time this technology was ever used was at the Red Hot Chili Peppers gig on June 23 2012 at Knebworth.

The only downfall to the ticketless technology option that I have discovered would be the sentimental value of keeping the old ticket stubs. Die-hard fans would enjoy looking back at the design of the tickets and some may even make collages of their kept tickets, however after the show the ticket has no real value and really its just another piece of paper that adds to the clutter of your house. All of the new features, most would agree forgive the fact that there is no ticket to be taken home afterwards, and once the ticketless technology is more developed and being used in the majority of music venues and festivals the ticket itself will be forgotten.

Ticketless methods have also been used in other ways, shapes and forms including airline tickets, travel and parking and have all been successful but in the music industry there is a whole new world of things that can be achieved, but obviously this whole new world of ticketless entry plus all the added extras that come with is still in its early stages and is still developing and will continue to be developed. But in terms of moving forward and bringing new experiences to the world of live music events, I and thousands of other fans I am sure will agree that this is a great success all round. Paper tickets will be a thing of the past; ticketless gigs are the way to the future.

 

 

 

 

 

 

 

 

 

 

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film, Movie, Music, tech, tv

Is your TV spying on you? How new smart TV’s can spy on you

 

The hottest new TV’s are smart TV’s which are expected to take over living rooms all over the world within the next five years. They allow you to stream YouTube and Netflix accounts without adding on an extra external box.

Sales of smart TV’s are soaring, especially in the models of 50 inches and upwards, but how do you feel about your TV watching what you watch, and keeping notes on you?

 

Electronics Company LG has recently admitted that its smart TV’s are collecting data on the different shows and movies that you watch, so that they can send personalized advertisements to you. However LG says “The Advice we have been given is that when one of our smart TV’s is purchased you accept the terms and conditions on your TV, your concerns would be best directed to the retailer.” LG have admitted that their TV’s are collecting users data but are not offering any advice on how to deal with or solve the problem out of your own safety. Every time a channel is changed information is sent out, the TV’s have an option in the system settings called “Collection of watching info” which is preset ON by default.

 

We like to think that what we watch on TV in the privacy of our own home is private, but this is really no different than your laptop or smartphone as the smart TV’s are all liked up to the Internet. Google and Yahoo know what you search for and the websites you visit.

 

The latest game console the Xbox One is also collecting data on gaming fanatics, however the microphone is always turned on and the webcam must be connected for the Xbox to function properly. It can also analyze faces, emotional expressions and even your heartbeat. This is an unpredicted level of corporate data mining and control.

Your TV through the Xbox One is watching you more intensely than you watch it yourself. Through the always on microphone and camera that is so sensitive that it can discern your emotional state in total darkness, your life and anyone else’s who is around the product is being collected and categorized for the explicitly stated purpose of more and more advertising directed specifically at you.

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film, Movie

Andy Serkis – Dawn of The Planet of The Apes

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Innovative Creator and actor of CGI (Computer Generated Imagery) and avatar characters Andy Serkis has recently said that all CGI characters should be able to win best actor Oscars and be in the same category as real life lead actors.

 

Andy Serkis is most known for his animation and voice work for such characters as Gollum in The Lord of The Rings trilogy and most of all Caesar in the famous film Rise of The Planet of The Apes. Innovator Andy Serkis may now have a chance to achieve his dream in being nominated for an Oscar with his involvement in new film The Dawn of The Planet of The Apes, which is to be released in UK cinemas on the 17th July this year. Set to take place 15 years later when humanity’s existence is nearing extinction. Gary Oldman leads a group of scientists who struggle to stay alive in the aftermath of a plague that is spreading through San Francisco. The big apes in the film are said to be evolving major linguistic abilities and to be growing in intelligence, however in The Rise of The Planet of The Apes Caesar only mutters one fearsome word “NO.”

 

The official trailer gives a sneak peak at glimpses of post-collapse human cities, overgrown and abandoned houses. Human characters played by Keri Russell, Gary Oldman, and Jason Clarke are seen battling apes in the street. Before the big money shot of Caesar and his army clad in war paint and ready for a fight. Matt Reeves who took over the directing role from Rise of The Planet of The Apes helmer Rupert Wyatt on the follow up promises he will continue to build towards the future.“I wanted to make sure we’re continuing to go along the path of evolution without missing it, it was so delicious to watch in the first movie. It’s not like now they are talking in verse. Hopefully the movie is emotional and thrilling as you watch the apes come into being.”

 

In the sequel the potential for Andy Serkis’ success will ultimately depend on how he handles the discovery of full speech. If main ape Caesar does achieve a genuine vocabulary will that affect Serkis’ chances of awards season recognition in 2015? The British Star was so clear in his desire to become the first actor to be Oscar nominated for a mo-cap turn on Rise two years ago, but consequently the voters seemed to be somewhat put off by the lack of speech that was present in the film.

 

Studio 20th Century Fox has net positioned the sequel for an awards season run, if the second movie Dawn of The Planet of The Apes in the rebooted saga is a hit, and Serkis proves great in it. There will certainly be clamor once again for the academy to reward him in this new form of acting.

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Music

Paul McCartney – New

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Paul McCartney’s first collection of new songs in six years sounds a lot more like his original stuff, just like back in the day. Being his 16th solo album he has done it all, so to make this album stand out from the rest McCartney has used four young producers, and has played around with different styles just for the sheer hell of it. The title track ‘New’ is very Beatles esque, which makes it a logical first single choice.

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Music, Uncategorized

Lorde – Pure Heroine

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Just ten months after debuting her free online EP New Zealand born singer- songwriter Ella Yelich-O’Connor, ‘Lorde’ has released her first full length, ‘Pure Heroine.’ She has quickly become one of the new most talked about artists of the year. Consisting of 10 tracks the 16 year old uses dynamic vocals and programmed beats, being honest and somewhat addictive. She sings about her life and teeth, using them to signify differences in class and social circles. Lorde topped the iTunes chart with “Royals” lets hope we can say the same for “Team” one listen is all it takes to convince.

 

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Music

Haim – Days are Gone

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Los Angeles trio of sisters ‘Haim’ debut there full length release Days are Gone. This polished album is a lot of fun where catchy melodies and tasty tunes are sure to be a breath of fresh air. Currently hitting the number 5 spot in the official albums UK chart sure says a lot about the band. If this Album is an indication of what’s to come for Haim then this band is going to be set for the future. “The Wire” has some of the most effective lines “I gave it all away/ Just so I could say that/ Well I know that you’re gonna be OK anyway” an act of kiss – off kindness. Being compared to Fleetwood Mac sure isn’t a bad thing.

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Music

London Grammar – If You Wait

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Debut album ‘If You Wait’ by British electronic band London Grammar, are a trio of Nottingham University graduates who barely formed little over a year ago deserve to be a big hit, they were hoped to be a mercury nomination even before their album was due to come out. Their trippy electronica outdoes The XX for sure. With a near sell out UK tour sealed they have definitely made an impact in the short time they have been around. Singer Hannah Reid’s voice is just stunning and remarkable. The album is deeply emotive; the majestic melodies tie in perfectly.

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Uncategorized

Lucy Spraggan – Last night

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The song reminisces a typical night out for a young person of this day in age, “drinking too much and socially smoking.” Last Night was Lucy Spraggan’s first X factor audition song, and has taken just over a year to be released. It is accompanied by a video of what looks like a truly hopeless attempt of an early twenty something’s house party, but what else do you really expect from an X factor contestant who is trying to get their 5 minutes in the spotlight. The only thing that has been added is a slightly timid reggae guitar. This song is catchy, however nothing to rave about. Not even a one hit wonder.

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